Monday, March 5, 2012

Le Mixeur Sharky Menu - Nathan Weber: The Laughing Man



"Actually, I was not the only legitimate living descendant of the Laughing Man. There were twenty-five Comanches in the Club, or twenty-five legitimate living descendants of the Laughing Man--all of us circulating ominously, and incognito, throughout the city, sizing up elevator operators as potential archenemies, whispering side-of-the-mouth but fluent orders into the ears of cocker spaniels, drawing beads, with index fingers, on the foreheads of arithmetic teachers. And always waiting, waiting for a decent chance to strike terror and admiration in the nearest mediocre heart."




Le Mixeur Sharky: Nine Stories is Sunday, March 11, 5-10pm, at Inner Chapters Bookstore & Cafe, 419 Fairview Ave N, Seattle. Tickets are $25 (includes 3 cocktails) and should be pre-purchased here: http://www.brownpapertickets.com/event/229073

NATHAN WEBER

Sometimes we here in Seattle get lucky and some really super bartender from another city moves here. And sometimes we get even luckier because that really super bartender gets really even more superer once he or she (for she, stay tuned for soon post on Tomic-Beard, Marley) lives here and tends bar in Seattle.

Of course, it's not luck. Seattle really is just that really super to lure in really super bartenders like Nathan Weber and then use its really superiorness to make him even more really superer.

Are you still reading? If so, let me tell you a little about Nathan. He worked bars in San Francisco. Then he moved to Seattle. When I met him he was working at Tavern Law, where he'd eventually assume bar managerial duties. He probably worked other places in Seattle too, but in keeping with my vow not to ever research anything I write about (research = fascism, as you know), I don't know anything about that, nor would I admit it if I did.

I can remember times when I couldn't get a damn seat at the damn bar at Tavern damn Law because it's so damn popular, but Nathan would manage to make it out to my table to chat about my drink and other things. He always seemed to stand right behind my head where I'd need to basically hold my head upside down in order to make eye contact, and nodding in agreement became an act of gymnastic contortion. I speculate watching me do this made Nathan laugh, and thus, he gets to create a drink for The Laughing Man.

Nathan's now at Canon and Rob Roy. He laughs a lot at both places. Occasionally, a patron says something like, "Hey dickhead, stop laughing and make some drinks!" Nathan just laughs, then mutters under his breath, "Fuck you asshole. I'll laugh all I want. I'm in love, with life, my job, and my fiancee." Then he makes the asshole something awesome. Something like The Laughing Man, also known as Eagle's Blood.

THE LAUGHING MAN, AKA EAGLE'S BLOOD

Here's the version for making at home...

1 ounce Averna
½ ounce Ramazzotti
½ once lime juice
¼ ounce muscovado syrup*
dash angostura bitters
freshly grated nutmeg

Combine all ingredients with ice in a shaker.
Shake and strain into a chimney or Collins glass.
Add ice and top with sparkling wine.

*Muscovado Syrup is made by combining muscovado sugar and water at a 2 to 1 ratio. Demerara sugar may be substituted.

For Le Mixeur Sharky, Nathan "The Laughing Man" Weber is going to carbonate these beverages and bottle them. Like in sealed bottles where carbonation finds no exit. Order one and we'll pop it open for ya.

SO WHAT DO YOU WANNA TELL US ABOUT THIS STORY ANYWAY?

The Laughing Man is an incredibly intricate story within a story, so summarizing it in a brief space is a hopeless endeavor. A group of boys called the Comanches revere their male adult leader "The Chief." They engage in many after-school activities but mainly sports, mainly baseball. It is a boys' club. The Chief tells them fantastic and elaborate tales of The Laughing Man, a mythical character from China who was horrifically disfigured in childhood by kidnappers, exiled and rejected by humanity, only to become the world's most cunning thief and criminal mastermind and a hero to many.

When The Chief falls for a woman named Mary Hudson, the boys struggle to accept her presence into their boy world, then struggle to interpret and understand their own childlike affection and perhaps love for her. When the romance ends badly, The Chief ends the love affair for all the boys before they have a chance to understand their own feelings. All is made worse by the adults' insistence on ignoring the childrens' questions, on shielding them out of everything that's going on, leaving them to guess and make sense of tiny little fragments.

The Chief's broken heart leads him to end the Laughing Man tale heatbreakingly, breaking the hearts of the Comanche children. He was an adult hero to the boys. But he was too weak to acknowledge the fullness of a child's humanity, and too weak to overcome his own romantic frustration in order to nurture the wild and beautiful spirits of the children who counted on him.

"Offhand, I can remember seeing just three girls in my life who struck me as having unclassifiably great beauty at first sight. One was a thin girl in a black bathing suit who was having a lot of trouble putting up an orange umbrella at Jones Beach, circa 1936. The second was a girl aboard a Caribbean cruise ship in 1939, who threw her cigarette lighter at a porpoise. And the third was the Chief's girl, Mary Hudson."


"She was a yellow bird and I was a red and blue and green fish. The birds explained to me that only I could save her because we were both humans, except we were also fish and birds. Every day when we were hungry we went to the store, and there was a bear who was the bodyguard. But we were too sneaky for him, and we would sneak past and buy a Hershey bar and a Skittles. And The Special DE Light Force (pandas who had armor on them and didn't like birds or fish) were trying to get her, but she wasn't captured because I had a watch and I turned into Hellboy and saved her. When they were destroyed we were going to another city. There were fish and birds who were going to help us, but there was a shark who didn't want us riding on him, and the fish and the birds were all over him. And then the shark didn't care and decided everyone could ride on him.” -Sharky




Le Mixeur Sharky Menu. Sidonie Rodman: Pretty Mouth And Green My Eyes

"I start thinking about--Christ, it's embarrassing--I start thinking about this goddam poem I sent her when we first started goin' around together. `Rose my color is, and white, Pretty mouth and green my eyes.' Christ, it's embarrassing--it used to remind me of her. She doesn't have green eyes--she has eyes like goddam sea shells, for Chrissake--but it reminded me anyway ... I don't know. What's the use of talking? I'm losing my mind. Hang up on me, why don't you? I mean it."

The gray-haired man cleared his throat and said, "I have no intention of hanging up on you, Arthur."




Le Mixeur Sharky: Nine Stories is Sunday, March 11, 5-10pm, at Inner Chapters Bookstore & Cafe, 419 Fairview Ave N, Seattle. Tickets are $25 (includes 3 cocktails) and should be pre-purchased here: http://www.brownpapertickets.com/event/229073

SIDONIE RODMAN

Sidonie Rodman is the only Sidonie I've ever met, but there are others out there. If you look the name up, you'll find all sorts of gifted artist-type ladies, such as Sidonie-Gabrielle Colette, noted French author of Gigi and many other works, Sidonie Villere, accomplished painter and sculptor, Spanish rock group Sidonie, and Portland-based fine artist Sidonie Caron.

I'm a little jealous. Look up the name Ted and you'll probably just find serial killers, alcoholic dead senators, and washed up sitcom stars.

Sidonie belongs in that group of gifted artist-type ladies. There is definitely an artistry to her drinks, which in my experience lean towards the simple, elegant, and refined. She has an impeccable knack for taking familiar ingredients and formulas and twisting them slightly yet definitively, creating something new that feels, looks, and tastes like a timeless classic.

That's the arts and crafts portion of the bartending profession, as for the hospitality portion, Sidonie's a notably warm, engaging person with a vibrant personality both behind and away from the bar. She is brimming with passion for what she does, and can get really worked up when talking about it. It's inspiring to witness.

So naturally, being a twisted degenerate, I assigned Sidonie the story in the book that dwells on people who seem to be victims of their own passions. Adultery, heartache, betrayal abounds. But perhaps it's more the dispassion with which these characters have pursued their passions that has lead them astray. Sidonie would never do that.

When I first met Sidonie she was working at Mistral Kitchen. From there she moved on to The Four Seasons. I tried to go visit her there but there was no way security was letting a reprobate like me into a swank joint like that. She then had a stint at Golden Beetle, bounced around a bit, and now finds herself splitting time between Belltown's Rabbit Hole and The Sexton in Ballard.

Sidonie created just the sort of drink I imagined she would: a spiritous, brown, simple drink that makes sense as soon as its recipe is read, and does exactly what it should once it's in your hand. I don't normally geek out too much about the drinks themselves (which is another way of saying I don't have much of value to say about them), but I will say that this drink discovers some sort of very special relationship between Peychaud's bitters and grapefruit peel.

PRETTY MOUTH AND GREEN MY EYES

2 ounces rye (originally created with Rittenhouse 100 but works with Bulleit as well)
¾ ounce Cynar
¼ ounce maraschino liqueur
3 dashes Peychaud's bitters

Stir all ingredients in a mixing glass over ice.
Strain into a cocktail glass.
Garnish with grapefruit twist.

SO WHAT'S THIS STORY ALL ABOUT ANYWAY?

Originally published in the New Yorker in 1951, Pretty Mouth And Green My Eyes is the only story in the collection that involves only adults. In a related note, it is possibly the most unrelentingly grim and dark story in the collection. In Salinger's writing, the adults are mostly hurt, twisted, and spiritually lost. It's only the children that convey any ray of humanity to the scenario.

The story is basically a phone conversation. A gray-haired man and a woman are in bed together late at night at the home of the man. The phone rings, he answers it, and it is a younger colleague from his work. They were both at a work party earlier in the night, along with the younger man's wife. Now he's home and he doesn't know where his wife is. It's the last straw he says, she's done this too many times before.

As the conversation continues it becomes harder to deny that the younger man's wife is the woman in bed with the gray-haired man. As this unsettling notion becomes evident, the dialogue between the two men - with the silent observations and subtle movements of the woman - becomes a striking and depressing deconstruction of the politics of masculinity, the calculated and measured way in which we communicate, and the common failure to find genuine compassion and empathy for the people in our lives.

Who else could use a drink? Sidonie has created one that captures that sense of longing and desire that has lead these three people astray, but that twists it into something beautiful and optimistic. No, I'm not kidding. And she's confirmed to be joining us on March 11, and she's bringing her bar tools. Rose my color is, and white, Pretty mouth and green my eyes. Soon, you'll know in your heart what this means.




Saturday, March 3, 2012

Le Mixeur Sharky Menu - Bryn Lumsden: A Perfect Day For Bananafish

"That's a fine looking bathing suit you have on. If there's one thing I like, it's a blue bathing suit."

Sybil stared at him, then looked down at her protruding stomach. "This is a yellow," she said. "This is a yellow."

"It is? Come a little closer."

Sybil took a step forward.

"You're absolutely right. What a fool I am."



Le Mixeur Sharky: Nine Stories is Sunday, March 11, 5-10pm, at Inner Chapters Bookstore & Cafe, 419 Fairview Ave N, Seattle. Tickets are $25 (includes 3 cocktails) and should be pre-purchased here: http://www.brownpapertickets.com/event/229073


BRYN LUMSDEN

Bryn Lumsden, bar manager at Rob Roy in Seattle, was the first person to sign up for Le Mixeur Sharky: Nine Stories. In fact, the original idea was to simply have a soiree at Rob Roy some rainy Sunday afternoon with drinks created by Bryn, Anu Apte, and myself. Then myself started getting funny ideas coupled with delusions of grandeur. Next thing you know myself was throwing a Le Mixeur Sharky with nine stories and referring to myself in the myself person.

Bryn's been bartending in Seattle for about 10 years or so. He is the lone member of the Rob Roy crew to have worked there prior to Anu's purchase of the bar in 2009. So you might call Bryn the world'spreeminent curator of Rob Roy culture. You can find him there on Tuesday, Wednesday, Friday, and Saturday nights. You'll most commonly find me there on Tuesdays, when Bryn's curating Rob Roy culture via his brainchild, Analog Tuesdays. Bryn mixes up fine cocktails while an assistant curator plays good old fashioned phonograph records and the occasional reel-to-reel tape. Patrons are invited to bring in their own records and tapes to be played, though it seems like hardly anyone does anymore. We need to change that.

I think it's safe to say that over the past two years, no bartender in the world has made me as many drinks as Bryn has. This not an accident, but personal choice. Bryn always makes me something that's perfect for what I'm craving. Plus he always gets the recliner in just the right position for my ailing back.

Oh, and there are a lot of bartenders out there who act like they're rock stars, and who think they're rock stars, there's even some that party like rock stars. But Bryn really is a rock star. Aside from his ongoing solo career, he once was in a really famous band from Seattle. I'd say the name but we're all tired of hearing about it. Especially Bryn.

Aside from Bryn's fondness for the story, he took on Bananafish (not literally) because of an ongoing interest in creating a drink with banana in it. Here is what he came up with:

A PERFECT DAY FOR BANANAFISH
(home version)

1 1/2 ounce Zaya 12 year rum
1 ounce heavy cream
1/2 ounce cream sherry (Hartley & Gibson will suffice)
1/4 to 1/2 ounce rich demerara syrup (to taste)
ripe banana

In a tin, muddle six thinly sliced pieces of banana with the demerara syrup.
Add the rest of the ingredients and shake with ice.
Double strain into a snifter.
Add crushed ice and a straw.

Rich demerara syrup is 2 parts demerara sugar dissolved in 1 part water.

For Le Mixeur Sharky, we're going with Bryn's alternate instructions for mass production. For this method, combine 6 ounces Zaya, 4 ounces heavy cream, 2 ounces cream sherry, 1-2 ounces demerara syrup, and a whole banana into a blender with ice. Blend! Pour into double old-fashioned glasses. That's right: banana rum milk shakes. Straw 'em up!

SO WHAT'S THE DEAL WITH THIS STORY ANYWAY?

Perfect Day For Bananafish was originally published in The New Yorker Magazine in January of 1948. It was anthologized first in “55 Short Stories from The New Yorker, 1940-1950." Vladimir Nabokov famously graded all 55 of the stories. He gave an A+ to only two two stories in the entire anthology. One was A Perfect Day For Bananafish by JD Salinger, the other was Collette by... Vladimir Nabokov.

The story tells us about a young woman named Muriel in a beachfront resort hotel room, talking on the phone with her mother, mostly about Seymour Glass, Muriel's significant other. We learn from their conversation that Seymour's behavior has been erratic for some time. He is unstable since returning from the war. He's openly contemptuous of the world view their wealthy family ascribes to, has no patience for the petty facade of their culture. Muriel defends Seymour and plays down his troubling behavior. Her mother is far less forgiving.

The scene changes to the beach itself, where Seymour is wrapped tightly in a robe sitting on a chair near the water. A young girl named Sybil, who knows Seymour already, approaches him and they chat. He compliments her on her blue bathing suit and she points out to him that it is yellow. He then assists her in going out into the water on her raft, and tells her to look for Bananafish. It is, after all, a perfect day for Bananafish...

"They lead a very tragic life," he said. "You know what they do, Sybil?"

She shook her head.

"Well, they swim into a hole where there's a lot of bananas. They're very ordinary-looking fish when they swim in. But once they get in, they behave like pigs. Why, I've known some bananafish to swim into a banana hole and eat as many as seventy-eight bananas." He edged the float and its passenger a foot closer to the horizon. "Naturally, after that they're so fat they can't get out of the hole again. Can't fit through the door."

"Not too far out," Sybil said. "What happens to them?"

"What happens to who?"

"The bananafish."

"Oh, you mean after they eat so many bananas they can't get out of the banana hole?"

"Yes," said Sybil.

"Well, I hate to tell you, Sybil. They die."

"Why?" asked Sybil.

"Well, they get banana fever. It's a terrible disease."


Why does Seymour think Sybil's yellow bathing suit is blue? For some insight, look to the Salinger novella entitled "Raise High The Roofbeam, Carpenters," in which Buddy Glass tells a story about his brother, Seymour Glass. He says that when Seymour was a child and their little sister Franny (later the title character in Salinger's novella "Franny") was 10 months old, Seymour read her a Taoist story to calm her when she became fussy.

The story was about a royal man named Duke Mu, who was accompanied by an enlightened man named Po Lo. Duke Mu asks Po Lo to send him a man who could pick him out a superior horse. Po Lo picks a man to do this, and the man selects a horse. When the Duke asks the man about the color and sex of the horse, the man tells him it is a brown mare. But when the horse arrives, it is a black stallion. The Duke is upset that the man is no ignorant that he doesn't even know how to measure the color and sex of a horse. But Po Lo is very happy, and says that the man is able to see the "spiritual mechanism" of the horse. "In making sure of the essential, he forgets the homely details; intent on the inward qualities, he loses sight of the external."

Blue is frequently used in Salinger's writing as a symbol of innocence. In Bananafish, Seymour Glass is wearing a blue bathing suit. When he looks at Sybil, he forgets the homely details; intent on the inward qualities, he loses sight of the external.


A RED MONKEY WITH A BLUE HEART

from Be Brave: A Wife's Journey Through Caregiving, by Florrie Munat (Sharky's grandmother), a not-yet-released memoir.

This portion of the story begins with a description of one Christmas day years ago, when the elevator to my mother's 2nd story apartment was broken, and so we had to assist my ailing father in getting out of his wheelchair and up the stairs. Sharky, then three, provided some unexpected assistance...


I pushed Chuck’s wheelchair into the stairwell, and Ted and I assumed our positions on either side of him. Sharky scampered around the three of us and up the stairs to the first landing where he turned and peered down at us. On the count of three, Ted and I hoisted Chuck out of his seat, and he gamely began to mount the stairs. As Ted and I gripped his arms tightly, our concentration was intense – one slip of the foot could result in a disastrous fall for all three of us. As I pulled on Chuck’s arm and shoved my thigh into his butt in an attempt to propel his body up to the next step, I wondered about the wisdom of our decision.

Then we heard a small voice coming from the landing. “You can do it! You can do it! C’mon, Papa, you can do it!” Glancing up, I saw Sharky’s animated face and his arms raised over his head, fists balled like a cheerleader. Then he lowered his arms, and with palms out, he cautioned, “Slow down, slow down. Take it easy.” With his arms over his head again, he resumed the “You can do it!” chant.

By the time we reached the first landing, Ted and I were hard-pressed to remain upright – not only because of Chuck’s weight that we were balancing between us – but also because we were giddy and giggling over Sharky’s words. The little guy scooted up the second set of stairs and resumed his exhortations to Papa from the top landing. When at last Chuck had ascended the last step, he did indeed fall into the awaiting plastic chair, weary with effort. Sharky, jumping with glee, patted Chuck’s arm and then to our complete amazement, he put his arms around Chuck’s shoulders and hugged him. Kissing Chuck’s reddened cheek, Sharky said, “Good job, buddy. You did it! Good job, Papa!”

I like to think that was a turning point in Sharky’s life. Certainly it was a moment of greater connection with another human being than I had seen in our grandson in many months. There would be, and there continue to be, hurdles in his development. But with the attention of a cadre of devoted teachers and therapists, not to mention his parents, Sharky is now, at age nine, one of the happiest, most well-adjusted and sensitive children in his third-grade classroom. He hugs us, calls us by name, does chores and homework, sleeps well, makes jokes, chats with strangers, loves superheroes and YouTube, and is amazingly empathetic. We could not have imagined such a scenario a few years ago.

Three and half years after his Christmas Climb, Chuck entered Hospice about ten days before my birthday. Ted asked then six-year-old Sharky what he thought I would like for a present. Without hesitation Sharky replied, “A red monkey with a blue heart.” Father and son drove to a local toy store where, amazingly, they found a stuffed monkey of that description. At least it was a mostly red monkey with a blue tail, a blue-striped leg, blue hands, and a cream-colored face with a kind smile. I told a friend, “They found me a red monkey! Isn’t that amazing? It doesn’t have a blue heart, but that’s okay.” And my friend, who has been a special education teacher for many years, replied, “How do you know? The heart is on the inside. Sharky knows the monkey’s heart is blue.”

Of course he knew the monkey’s heart was blue because he knew mine was. Sharky told me the monkey’s name is George Abberson. George Abberson now lives among the red pillows on my bed.


Sharky George & Violet Rose

Tuesday, January 24, 2012

Le Mixeur Sharky: Nine Stories. Numéro Un D'image



Well, what do you know. A Le Mixeur Post with almost no words. Just an image. One of many to come. They say a picture's worth a thousand words. The actual number of words a picture is worth actually varies depending on the country and the current exchange rates, and given the troubled US economy these days, you'd have to think that...

Shhhhh. No more words. Images only please. Everything is getting very hush.

(editor's note: more words to come soon.)



Wednesday, January 18, 2012

Le Mixeur Sharky - Your Date, Your Location, Your Drinksmiths

(This is one in a series of posts regarding Le Mixeur Sharky: Nine Stories, an upcoming fundraising event to benefit my son Sharky, who is diagnosed with autism and is no longer receiving any state benefits or medical insurance coverage for speech, physical, or occupational therapies. The event will feature a menu of nine drinks, each created by a Seattle bartender especially for this event, and each based on one of J.D. Salinger's 'Nine Stories.')

Dear ones, we have a date. You and we. A date. That date is, March 11th, 2012. This is the date we will hold Le Mixeur Sharky. What time? Ohhh, probably about 5 or 6. We'll let you know for sure soon.

Dear ones, we have a place. You and we. A place. That place is, Inner Chapters Bookstore & Cafe. Where's that? It's on 419 Fairview Ave. N, in the lovely South Lake Union neighborhood of Seattle. ICB&C offers just the appropriate blend of literary atmosphere, running water, and service areas to hold such an event as this. We are grateful to them for the use of the space and excited to collaborate.

Many details are yet to be determined. But what has been determined is this: nine of Seattle's finest bartenders are currently working diligently (right kids? diligently? yeah? did you get my last email?) on original drink recipes for the menu, each based on one of Salinger's stories. In the coming weeks, I'll be profiling each of these bartenders and their current place of work, a la Left Coast Libations. For the moment, here is a list, including their assigned story and place(s) of work.

A Perfect Day For Bananafish – Bryn Lumsden: Rob Roy
Uncle Wiggily In Connecticut – Marley Tomic Beard: The Sexton
Just Before The War With The Eskimos – Kevin Langmack: Knee High Stocking Co, Vessel
The Laughing Man – Nathan Weber: Canon, Rob Roy
Down At The Dinghy – Evan Martin: Ba Bar
For Esmé – With Love And Squalor – Ben Perri: Zig Zag Café
Pretty Mouth And Green My Eyes – Sidonie Rodman: Rabbit Hole
De Daumier-Smith's Blue Period – Philip Thompson: The Coterie Room
Teddy – Anu Apte: Rob Roy

Those savvy among you might note that, with the exception of Anu Apte (my collaborator and instigator of this event, and the only person I could trust with the creation of my namesake cocktail), none of these bartenders were in Left Coast Libations. This was deliberate. It's part of an effort to continue to promote the work of more and more talented bartenders. And had J.D. Salinger compiled a book of eighteen stories, it still would have been too few to include all the worthy bartenders in our fair and currently snow-covered city of Seattle. Which is my way of apologizing to all the other amazing bartenders here who aren't on the list above.

In the time between now and March 11th, I will in all likelihood make several clumsy attempts to explain why this event has to be, and why it has to be the way it will be, and what's been in my heart as I slapped together its concept and design. For today, I will do this by including the words of Eudora Welty, who reviewed 'Nine Stories' for the New York Times. In some slightly abstract and perhaps obtuse way, I feel that what she wrote expresses why Sharky and J.D. Salinger had to meet, how much this event means to me, and what gratitude I hold for the bartenders above, and to all those who eventually join us along the way.

Without further adieu...

April 5, 1953
by Eudora Welty

J.D. Salinger's writing is original, first rate, serious and beautiful. Here are nine of his stories, and one further reason that they are so interesting, and so powerful seen all together, is that they are paradoxes.From the outside, they are often very funny: inside, they are about heartbreak, and convey it; they can do this because they are pure...

The stories concern children a good deal of the time, but they are God's children. Mr. Salinger's work deals with innocence, and starts with innocence: from there it can penetrate a full range of relationships, follow the spirit's private adventure, inquire into grave problems gravely--into life and death and human vulnerability and into the occasional mystical experience where age does not, after a point, any longer apply...

Death, war, the flaws in human relationships, the crazy inability to make plain to others what is most transparent and plain to ourselves and nearest our hearts; the lack or loss of a way to offer our passionate feeling belief, in their full generosity; the ruthless cruelty of conventional social judgements and behavior; the persistent longing--reaching sometimes to fantasy-- to return to some state of purity and grace; these subjects lie somewhere near the core of J. D. Salinger's work.

They all pertain to the lack of something in the world, and it might he said that what Mr. Salinger has written about so far is the absence of love. Owing to that absence comes the spoilation of innocence, or else the triumph in death of innocence over the outrage and corruption that lie in wait for it.

What this reader loves about Mr. Salinger's stories is that they honor what is unique and precious in each person on earth. Their author has the courage--it is more like the earned right and privilege--to experiment at the risk of not being understood. Best of all, he has a loving heart.









Tuesday, December 20, 2011

Christmas: Then & Now


It turns out I think I might have a favorite Christmas. It was when I was a little bit younger than Sharky is right now. I think I was eight. It was the year my father lost his job.

After about a decade of being a high school English teacher in Chicago, he'd been hired in 1969 by The Weekly Reader corporation in Middletown, CT to work for the magazine You & Your World, a publication for teenagers reading at a grade school level. He was extremely passionate for the work.

A few years into his tenure there, the company was bought by Xerox. Xerox stood to reap the benefits of many generous federal tax credits and shelters by owning and operating such an altruistic endeavor as You & Your World. Their first creative contribution to the operation was to install an entire level of middle management drones to scrutinize and dominate the daily goings on of the office. Given my father's fiery temperament, and his long-established resentment of all forms of bureaucratic hypocrisy and corporate tyranny, the stage was clearly set for conflict.

There were skirmishes over the years. There was the time when the company imposed a 15% increase on the price of the magazine, then braced for the possible fallout, in the form of cancelled subscriptions. When the cancellation rate was only 5%, thus ensuring the price hike would be profitable, there was much jubilation. An office party erupted. He refused to attend, instead staying in his office, working, and grieving over the fact that thousands of youth who benefited from his work no longer would, having been priced out of the market.

Not a team player. Not a good company man.

There were others. I can't remember them all now. But then there was the end saga. And for that, I'll include an excerpt from my mother's yet-to-be-but-we-hope-soon-to-be-published memoir of her life with my father, including her six years of caregiving for him before his death in 2009 at the hands of Lewy Body Dementia.

"In 1977 Chuck took a year’s social service leave from his writing job – with full pay and benefits – and worked at Long Lane, Connecticut’s only school for adjudicated youth. He established a school newspaper, 'The Nameless News,' so called because the teenagers could not legally be identified by their surnames. He worked to improve public relations with the Middletown community, whose citizens were often not happy about being the home of the state 'reform school.' Chuck counseled, taught, read his students’ thick files, and wept. “Long before they committed crimes,” he said, “crimes were committed against them.” He later said that this year was the best of his life.

He had a hard adjustment returning to his editing job and mentioned this fact in an interview that appeared in the New York Times. The publishing company (then owned by Xerox Corporation) didn’t like his attitude, and at any rate he had never been a “company man.” He was guaranteed one year of post-social service leave employment, and when that year ended, he was fired. Management’s explanation for letting him go was that Chuck had used the racist expression, 'eeny, meeny, miney, mo,' in an article he had written about television ratings, and that was unacceptable. If the firing hadn’t devastated him so much, their reasoning would have been laughable."

It would have been laughable not only because it's laughable, but because while the people who fired him were earning their MBAs, climbing the corporate ladder, and getting their time in at country clubs over the previous 20 years, he'd been dedicating his life to black and Latino youth as a teacher in inner city schools and as the editor of You & Your World. He'd been marching on Washington with Martin Luther King and joining in civil rights demonstrations in Chicago. He'd been getting sprayed with tear gas by police at the 1968 democratic convention in Chicago because he wanted to help bring about justice and equality and an end to the war that was bringing about the deaths of millions, most of them people of color.

But on the most hypocritical and absurd of pretenses, in 1979 my father, the sole bread winner of our household at the time, was out of work. His superiors told him to go home and wait by the phone while they decided his fate. They used those weeks to lobby upper management to support their decision, portraying their fabricated version of the events without giving him the opportunity to present his own.

They fired him. Ten years of dedicated service. Two weeks severance pay (he then appealed to the CEO of Xerox to save his job, and was instead granted an extra month severance pay). Medical benefits terminated immediately.

Naturally my parents did their best to shield me from the harsh realities of the situation. I had no clear conception at the time that I was an eight year old boy whose family had lost its source of income and its medical insurance. But we lived under the same roof. I sensed the stress and sadness. I felt his grief.

That year, in the weeks leading up to Christmas, my parents let us kids know that there would be some pretty significant limitations on presents, given the new financial world we found ourselves living in. But on Christmas day, I found under the tree a bounty of gifts. When we went through our ever-so-polite Christmas tradition of going around in a circle and each opening one present at a time, we found that the vast majority of gifts were things he had built for us. I wish I could remember more of what they were. I believe the end tables that brace the sides of my mother's bed to this day were part of it. For my brother Ben he built some wooden crates to house his collection of vinyl LPs.

And for me, a few wooden boxes custom designed to hold my collection of NFL trading cards. They even had little dividers and tabs to sort the cards by team, placed in alphabetical order (and in my mind's eye, envisioning these tabs, the team names were definitely written in my mother's handwriting, so I must point out that she too definitely had a hand in all these gifts). Last of all for my gift, somehow, magically and Santa-like, they had actually sorted all my football cards and placed them in proper order into the new boxes.

I can assure you this is not a case of me, as a child, thinking a present was lame and then later as an adult deciding it was meaningful because of some context I couldn't appreciate at the time. I cherished those rectangular wooden structures. When I was 17 and my parents made the move to Washington, we sold them off at a tag sale. I was completely unsentimental about this at the time. Now, a pang exists, wishing I'd kept them. But no, no reason. Such a thing becomes a burden when you lug it around with you everywhere. In letting go of the object itself, it becomes more meaningful.

So that was my favorite Christmas.




It turns out I actually have a least favorite Christmas too. That would be the Christmas I took my son to Children's Hospital. But then again, maybe it's not my least favorite Christmas. Maybe it was better than all the many, many Christmases which none of us can even remember because they were so mundane they weren't even worth remembering. Maybe I'll just be grateful for something to remember.

Like many children with autism, Sharky experienced an extreme fear of using the toilet. He was very late to be toilet trained. He refused to use the toilet. There were no issues with ability to comprehend when he needed to use the toilet, or with ability to control the "flow." In fact, it turned out to be quite the opposite. At age 5 Sharky was still in diapers. Every tactic had failed. And so his parents made an ill-fated decision to make this a battle of wills.

Don't ever have a battle of wills with a 5 year old child with Autism. You will lose. Everyone involved will lose.

We decided he would no longer wear diapers. It was time for this to stop. If anything was going to come out of him, it was going in the toilet. His response to this was to concede peeing, which he began to do in the toilet. However, the other matter was out of the question.

Estimates on how long this went on vary, and it's too bad we didn't keep a journal. Some say two months, others say two weeks. Looking back, my best guess is that it was approximately one month that he refused to allow himself a bowel movement. His mood deteriorated, his level of physical discomfort visibly increased.

And it all came to a head on Christmas day of 2006. We were over on Bainbridge Island at my mother's place. My siblings and niece and significant others were present. My father was home from his nursing home. Sharky did not voice complaints about his pain. But he showed little to no energy. He laid down a lot. Eventually, I laid down with him in the guest bedroom and put on a movie. We both laid there in bed, motionless, staring blankly at a screen, registering no response to what we were watching. We just waited for what would happen next.

Then Sharky, softly and without sound, wilted into a tiny ball. He crumpled up, unable to withstand the pain any more. His cheeks flushed. I got up and walked into the living room, where everyone else was gathered around the table eating Christmas dinner. I asked for their help in gathering our things and gifts together, because we needed to leave to go to Children's Hospital. Within minutes there were helpers carrying our things to the car while I carried Sharky, who was unable to walk.

I called his mothers to let them know what was happening. Without even the slightest hint of shock or surprise, they said they would meet us there. On the ferry ride to Seattle, I informed the ferry crew that I had a sick child on his way to the hospital, and they made arrangements for us to get off the boat first. They also summoned some paramedics who happened to be on the boat to come talk to me. The paramedics, while sympathetic, told me there was nothing they could do for us there, we'd just have to go to the hospital.

I carried Sharky up to the main deck of the ferry and found an out-of-the-way spot for us to sit. I sat in a chair with him draped across my lap in the fetal position. I recall being stricken by his lack of emotion. There was no crying, no whimpering, no fear, no pleas for help. He was as calm and placid as a little baby buddha. I saw this as resignation. It was as if he had accepted this as his fate. Life was a short and bitter battle in which you either release your innards into some horribly scary, vacuous hole, or you bottle it all up inside, crumple up in pain, explode, and die. So it goes. I feel like I have excellent insight into the mind of Sharky, and I am quite sure that on that night he had decided it was his time to die. And while he was not happy about it, he was accepting it.

At the hospital, they took x-rays of his rectum. We learned that he had held in his poop for so long that the rectum was now dilated, impacted. Even if he changed his mind and decided he wanted to have a bowel movement, he couldn't at this point. The only solution was an enema. Me, his moms, and the doctor worked together to pin him face down to the hospital bed and shove a tube up his ass. The screams that emanated from him while we did this will haunt me until I die, and perhaps after that as well.

I hate... hate, to even bring up terms like this. But it felt like a form or rape. We were violating him. Sure, maybe it was for his own good. But it was a violation nonetheless. And he let us know about it.

And it didn't work. So after waiting an hour we did it again. And after waiting another hour we did it again. And after waiting another hour we did it again. And after waiting another hour they sent us home with instructions to do it again over the next few days.

I took Sharky home that night around midnight after six hours at the hospital. We stopped at the Bartell Drugs, open 24/7/365, across the street from my apartment. I still wonder what the cashier thought as Sharky and I approached his register, looking beyond haggard, Sharky still wearing his hospital bracelet, and us purchasing a bottle of apple juice, a home enema kit, and a 1.5 liter bottle of cheap white wine.

Over the next three days, I spent my lunch breaks from work driving over to the moms' place so me and one mom could pin him face down to the bed while the other mom squirted oil up a tube into his rectum. The screams never diminished. Good for him. He had all the right in the world to protest.

Eventually the dam broke. A couple of months later, he had massive dental surgery to repair all the abscesses and cavities he'd developed out of a terror over brushing his teeth. Ever try to forcibly brush another person's teeth? It doesn't work. You can try for three hours locked in a bathroom. It just doesn't work.

Oddly enough, once the concrete block was removed from his rectum and the bleeding abscesses were removed from his mouth, everything changed. A couple of weeks after the enema onslaught, Sharky's moms, Paul Nyhan of the Seattle Post-Intelligencer (working on an article about us), and a counselor from Seattle Children's Home were all gathered at my apartment. We were laying out a behavioral support plan to deal with Sharky's explosive temper tantrums and aggressive behavior. In the middle of the meeting... I'm just going to put this bluntly... Sharky walked over to his potty chair and took a big old shit.

It was kind of nice that in addition to the cheers of me and his moms, we also had the excitement of a behavioral specialist and a member of the press on hand to voice their approval.

And so the boy who got kicked out of preschool because he was beating on other kids became the boy the teachers say is one of their best behaved, the sweetheart, the "angel," the "doll." Funny how we can change when we're not in excruciating pain.

He's now the sweetest kid ever, but the developmental delays are still there. But these "delays" have their benefits as well.

In the book, Pscyhotherapy East And West, author Swami Ajaya breaks down various paradigms of consciousness. He explains that at birth, we all see the world through the monistic paradigm, in which everything is one. As we are raised, we are taught about opposites, the difference between things. We learn about polarities. We learn about happy vs. unhappy, healthy vs. sick, loved vs. hated, smart vs. stupid, good vs. bad. From this teaching, we come to accept the reductionist paradigm, in which we break things down into separate components. Instead of perceiving things as being one, we sort them out into different, and usually opposing elements. When we perceive everything to be in opposition to one another, naturally conflict ensues. This way of thought is divisive by nature, and it's how most of us think. Through years of devotional meditation, some can escape this reductionist way of thinking, We might call them sages, or buddhas, or saints.

Sharky and his "delays" may have provided him (and me) with a short cut. He is now 9, and shows no signs of having any intention of comprehending the reductionist way of life. He will approach me and say things like, "Hey dad, do you know what my favorite color is? Red, blue, green, and black." When people ask him silly questions like, "Who do you like better, superman or batman?" his response is always "superman and batman."

This boy experienced an enormous range of happy and sad, pain and pleasure, love and hatred, good and bad by the age of 5. He experienced more of it than most of us experience in a lifetime, before he'd developed the whole reductionist way of thinking. Everything has remained one.

Everything is one. Here's hoping that Sharky doesn't have to endure that awkward stage between newly born sage and old man on a mountain with a long beard sage. Let's just hope his life is straight up sage. It will be hard. There's a line of adults out there wanting to teach him the wrong way of thinking. Sometimes I'm even in that line.




Which brings us to his current state of Christmas. Sharky will indeed, when pressed, tell me what presents he wants for Christmas. He's even figured out that this time of the year is a good time to hit adults up for things. But he's not really that enamored with the whole thing. He has a hard time understanding why this day should be any different from any other day.

And he has a hard time getting this whole Santa thing. Most parents have to deal with the issue of whether or not to lie to to their children and tell them there's such a thing as Santa, and then later how to tell them that they lied to them about Santa. The whole issue never came up with Sharky. Does Santa exist? Of course he exists. People talk about him all the time. They depict him in movies and books and commercials all the time. We think about him. All of that's a form of existence. Sharky has never demanded to know whether or not Santa is "real." Everything is real.

But for most kids, there's some concrete form of existence - a fat guy in red and white jammies with a beard slides down my chimney and leaves me presents and eats the cookies and milk I left him... therefore he exists. When it turns out that very specific story isn't true, that means he doesn't exist anymore.

Existence vs. non-existence. The dualistic paradigm.

In Sharky's world, Santa exists. Sharky's happiness and perception of reality in no way hinges upon him. Santa's a beautiful person and a wonderful story living amongst an entire universe of unlimited beauty, which occasionally dispenses a gift into our laps. No need for any arguments. It's all so simple. Why all the hub-ub?

Everything that exists is one: The monisitc paradigm.

Merry Christmas everyone.







Monday, December 19, 2011

Le Mixeur Sharky: Nine Stories


(note: this post was written for the blog Le Mixeur, and re-posted here).


It's been over two years since we held a Le Mixeur. And it's been almost that long since I wrote a blog post. That is not a coincidence. This blog was created for the purpose of disseminating information about Le Mixeurs, and continued to be driven by Le Mixeurs over the years. Once the Le Mixeurs dried up, so did the blog.

Time for the comeback.

As many of you may know, my life revolves not around booze or Mixeurs, but around a nine year old boy named Sharky who I am lucky enough to consider my son. As some of you may know, Sharky was diagnosed with Autism about five years ago. And as far fewer of you may know, last August Sharky's insurance company declared that he was no longer eligible for speech therapy coverage. This came on the heels of his insurance company declaring the previous year that he was no longer eligible for physical or occupational therapy. That came on the heels of the state department of social and health services also saying he was not eligible for coverage of speech or physical or occupational therapy. That came on the heels of him never being eligible to receive applied behavioral therapy, or sensory integration therapy, or anything that might actually help him.

Of course, all of that's no big deal. Me and his two mothers raised him without their help. And now he's nine and in my opinion the best person this world ever produced. He's the most amazing person I have ever met. This world, which hasn't offered him much except all the good people in his life, is beyond fortunate for his existence. Every day he is here, he makes the world a better place.

But he does need help. We need help. We need your help. He has the most beautiful way of expressing himself, and many of you have witnessed this through my ad nauseum posts on facebook quoting him. But learning how to express himself more clearly through speech therapy will not only increase his chances of surviving in society as an adult, but will also make him happier in his relationships with the people he meets in life. He won't always need his dad to interpret what he says.

So we're going to throw a Le Mixeur Sharky to raise money to pay for those damn pesky $150/hour speech therapy sessions. And we're going to base this Le Mixeur on the works of J.D. Salinger, who wrote so beautifully on the dreams, ambitions, and qualities of children. He wrote so beautifully, and was appreciated so widely, that it's hard to believe we have still managed to conjure up a world in which the help children need is denied, and in which a child dies of starvation somewhere in the world every three seconds. I think of that fact often, and it never fails to remind me of how unbelievably fortunate I am.

Le Mixeur Sharky: Nine Stories, will feature a menu of nine drinks, each based on one of Salinger's stories from the collection Nine Stories. Each of these drinks will be original creations by some of my favorite Seattle bartenders. Each of these bartenders will be assigned a story. They have the options of a) basing their drink strictly on the title b) basing their drink on the summary and notes I provide them, or c) reading the story and basing the drink on that.

We will hold Le Mixeur Sharky: Nine Stories sometime in March. Details and specific date are yet to be determined. I will be putting up blog posts on each drink for the menu as they come in, with descriptions of the drink, the story, and the bartender.

I will be posting the updates on Le Mixeur Sharky: Nine Stories, here and on the blog I once kept about Sharky. It was a blog that briefly garnered a following and, on one occasion with the assistance of my brother Ben, got over 10,000 hits in one day for this post.

I'd like to officially commence this journey by thanking all of you who have been supportive of Sharky and I over the years, no matter the level. The next few months are going to be emotional and meaningful to me because of this project.

OK. Let's do this.